";s:4:"text";s:10455:"This delightful derelict town, barters with used car parts. Jan 27, 2021. COVID-19 pandemic. And here I am, accidentally watching a Peter Weir movie I didn't even know was a Peter Weir movie because clearly, my memorization and listicle skills are sub par. It's an interesting exploitative view of the rising dominance of car culture throughout the 70s, and how capable in design these cars are to be essentially used as killing machines. . Original theatrical trailer for Australian director Peter Weir's first feature length film. After watching this vastly underappreciated cult gem, please refer to IMDb's trivia section and have a blast. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Between this and Mad Max remind me to never drive in Australia. Interesting. After the death of his brother on the road, unemployed and unstable drifter Arthur Waldo stays for a while in the rural Australian town of Paris as the guest of the mayor, who hopes he will become a permanent member of the Paris population. This film has a car with spikes that runs over people! Survivors are brought to the local hospital, lobotomized, and used for a local doctor's experiments. Stream Tracks and Playlists from The Cars That Ate Paris on your desktop or mobile device. Psychedelic synth pop plays throughout the entire movie, and it kicks ass. Sadly, the poster oversells the killer-cars angle, but one can understand the temptation, having seen this. Enter Weir's cult/horror/dark comedy sci-fi action film where the twisted sense of humor clashes with parodies of Leone and Aussie cigarettes ads of the 70s and paranoia! This film has a car with spikes that runs over people! This movie spends an awful lot of time focused on local politics, but the ending sequence makes up for all the time not spent on the proto-Mad Max art cars. The first draft of The Truman Show sure does play out very oddly. They are distinctly Australian, often reflecting margins of society that must confuse the shit out of the rest of the world - no wonder many of our US friends still think that we Australians all live in the outback and ride kangaroos to work!The directorial debut of Peter Weir presents the vision a remote Aussie town with an economy based on bartering car parts from the wrecks of ambushed victims lured to the area. 1974 Get unlimited DVD Movies & TV Shows delivered to your door with no … Shoutout to @theendmyfriend for the request. (As of01/17/21) Sort list by last added for latest additions (there…, The Grindhouse Cinema Database is an online database of cult/exploitation/grindhouse movies from the '30s to the mid/late '80s. Tries to confront the Australian reliance on the Automobile but backs off when it approaches anything resembling a point. Before becoming a leader of the Australian New Wave, and eventually directing The Truman Show, Peter Weir had a debut film that pioneered in the Ozploitation scene. The Cars That Ate Paris. The Cars That Ate Paris Directed by Peter Weir • 1974 • Australia The small town of Paris, Australia, deliberately causes car accidents, then salvages and sells all valuables from the wrecks. The Cars That Ate Paris. Mind that this is arguably the very first "car film" that helped the revival of Aussie cinema and Ozploitation in the 70s and 80s. The extra layer's of depth within something that could have easily just been a disposable genre film, show clear signs of the extraordinarily director Peter Weir would soon become. Find trailers, reviews, synopsis, awards and cast information for The Cars That Ate Paris (1974) - Peter Weir on AllMovie - This first effort from acclaimed writer/director… In short, this is a smorgasbord for movie lovers and one of my favourite first-time watches of the year. After watching this vastly underappreciated cult gem, please refer to IMDb's trivia section and have a blast. 30 Tracks. I was Pleasantly surprised by its overall story and the way it built up to its ultimate conclusion. Victims of the previous, hated for their inaction by the next. This obviously influenced Mad Max as everyone points out but I'd bet anything director Gary Sherman was thinking of this movie when he made Dead And Buried in 1981. This movie spends an awful lot of time focused on local politics, but the ending sequence makes up for all the time not spent on the proto-Mad Max art cars. Instead, TCTAP is filled with dry humor. Lewis' Two Thousand Maniacs in both plot and sick sense of humour. They are distinctly Australian, often reflecting margins of society that must confuse the shit out of the rest of the world - no wonder many of our US friends still think that we Australians all live in the outback and ride kangaroos to work!The directorial debut of Peter Weir presents the vision a remote Aussie town with an economy based on bartering car parts from the wrecks of ambushed victims lured to the area. 1951 Austin A40 Hi-Lite MkII . Therefore, it is awesome! The Cars That Ate Paris was the first feature film from Australia’s Peter Weir. Display options: Also known as: Les voitures qui ont mangé Paris (France) Le macchine che distrussero Parigi (Italy) 1954 Austin A30. The Cars That Ate Paris. Which is not what I expected, either. Pis tu sais quoi, j'exagère pas, c'est vraiment incongru à ce point-là. Made by fans in Auckland, New Zealand. Watching this gave me the same unsettling feeling that I had watching The Wicker Man for the first time but it also closely resembles H.G. C'était comme... la rencontre grotesque et bizarre entre La femme des sables (le roman de Kōbō Abe*, là, pas le film de Teshigahara) et Cars (de Pixar). Or, I didn't expect to spend so much time consumed with rage because another bunch of dudes with another podcast spammed my Picnic At Hanging Rock ig post about their podcast like I follow at least the 'no spamming rule' as a maybe someday author who reads those 'ten things not to do as an author' advice posts and spamming is always right up there so it's like 'what gives you the fucking right ...'. The absurdity is alright, but I wish there was more to it. The slow pace and lack of a compelling central character ultimately made the picture less effective, but I think I might need another test drive down the road to decide how I really feel about this one. Black comedy. 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